How Do You Know Pineapple Has Gone Bad
Hollywood seems adamant to profit from remakes and sequels that movie makers have no business writing, producing or releasing. Rather than working hard to generate new films — ones with novel plot devices, leads and stories from underrepresented communities and compelling cinematic visions, for example — the bigwigs of the American flick industry are on a mission to speedily ruin any remnant of millennial childhood nostalgia.
And so, information technology is with a heavy heart — and in recognition that January 10, 2021, marks five years since the passing of the admittedly legendary and incomparable David Bowie — that I am forced to address the announcement of a Labyrinth sequel. Now, does the original film crave, necessitate or even hint at a sequel? Is the lead actor from the original picture show prepared to make an advent? Is the original manager all the same bachelor? The answer to these questions is a single, resounding "NO." And yet, here we are. Sigh.
Let me to take a cursory moment to discuss why a Labyrinth sequel is an awful, terrible, no-good idea.
A Bowie-Less Labyrinth Sequel Will Be a Travesty
The upcoming Labyrinth sequel faces some tough challenges. For starters, it'southward going to be missing its eternal, androgynous Jareth the Goblin Male monarch — a.grand.a. the unequalled David Bowie. In 2016, the iconic genre- and gender-bending rock star lost a long battle with liver cancer. His failing health was a well-kept secret, and fans and admirers from all over the globe mourned his untimely passing.
If yous believe that Bowie's absenteeism from a Labyrinth sequel is more than a casting challenge than a reason to cancel the unabridged project, I'd recommend that y'all go back and picket the original 1986 picture. Bowie's presence extends beyond his insanely flustered hairdo, gigantic codpiece and cool charismatic demeanor — the human besides wrote and performed more than than half of the movie'southward soundtrack.
Seeing Bowie perform every bit Jareth is much like watching him as Ziggy Stardust. It can exist challenging to separate the truth from the fiction of these performances, as Bowie becomes and then engrossed in his characterization that he simply ceases to be himself. Even as an adult, it's hard to watch Jareth the Goblin King prance, dance and sing without occasionally stopping to call up, "Wow. That really is David Bowie. And, yes, I will 'Dance the Magic Dance' down my hallway."
I'm deplorable, but it'due south incommunicable for a casting director to detect a multitalented actor/musician to fill Bowie's shoes in an upcoming sequel. It's besides a claiming to imagine whatsoever viable reason why the original — seemingly immortal — Goblin King would accept of a sudden inverse form. This type of confusion only deepens when because what might get of the Labyrinth'due south creatures.
Jim Henson, the mastermind behind the Muppets, directed the original Labyrinth picture. His masterful puppetry showed a depth of skill unmatched past rival puppeteers, and in a fourth dimension without impressive CGI graphics, he was one of the go-to guys for practical special furnishings. Sadly, Henson passed away in 1990. Since that time, there have been no less than 5 theatrical releases with his mannerly Muppet characters — and they've all been awful.
Some might take those movies every bit a sign that Henson'southward absence is no big deal when attempting to brand a sequel. They would be incredibly wrong. A Labyrinth sequel without Bowie AND Jim Henson would be like a Mrs. Doubtfire sequel without Robin Williams. (Don't you cartel, 20th Century Fox!) Just stop thinking most it and capeesh this magic for what it is!
Making a sequel to the Labyrinth film without using Henson's puppets would be similar George Lucas abandoning practical puppetry from his Star Wars franchise in favor of poorly-generated computer graphics. Oh…that's already happened, and the response has been less-than-stellar. Fans who have grown up watching a specific film are jump to experience slighted, misunderstood or just apparently cheated when that film ends up lost in technological translation.
Non convinced that fans don't want a CGI-heavy Labyrinth remake? Take a expect at how The Lion King fanbase (and critics) reacted to the CGI "alive-activity"' Disney remake. Hither'due south a spoiler: They didn't like it.
A Project Fueled by Profits, Not Passions
All of this begs the question, "Why are these executives green-lighting so many '80s remakes and sequels right at present?" Unfortunately, the answer lies in nostalgia-based profit. Academics take long studied consumer behavior, and information technology seems that contempo studies accept not fallen on deaf ears.
In 2014, the Journal of Consumer Research published findings on the connection between nostalgia and money-spending habits. They discovered that people are more willing to spend money when they're feeling sentimental or cornball. Advertisement executives and film producers have taken this tidbit of data and run with it.
That's why our current movie industry is flooded with remakes and unasked-for sequels, especially to icons from the 1980s and 1990s. Children from that era are now full-fledged adults with existential dread about the future as climate change, pandemics and political chaos get out generations clamoring for familiar, comforting nostalgia.
But rather than re-releasing original footage on updated media (think Blu-ray and 4K downloads), the film industry would rather take existing intellectual property and rebrand it for the younger generation. In virtually cases, the outcome is an alienated original audience and a disinterested youth. This is all done in the name of and for the sake of profit.
So Delight, Leave This Gem of a Movie Alone
A movie shouldn't be pre-judged every bit proficient or bad, of class, merely should instead exist judged by its merit, reception and lasting bear on. All the same, even the virtually avant-garde hologram applied science could not revive Bowie's onscreen presence (NOR SHOULD IT). And no corporeality of CGI could replace the authenticity and wonder of Henson'due south creations.
The merely thing that could remain consistent between the original Labyrinth film and its proposed sequel is its main screenwriter, Terry Jones (of Monty Python fame and celebrity). Just as of this moment, there's no word from the aging Brit every bit to his possible involvement in writing a sequel.
As a result, at that place's little hope that a Labyrinth 2 would be anything more than a shameless, soulless greenbacks grab aimed at adults who long for the simpler, stranger world that lay earlier them during the '80s. Any project based on turn a profit, non passion, is doomed to neglect, and that's why I'thousand non looking forrard to the mess of a sequel that undoubtedly lies alee.
Source: https://www.ask.com/entertainment/labyrinth-sequel-bad-idea?utm_content=params%3Ao%3D740004%26ad%3DdirN%26qo%3DserpIndex
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